All the acts the Music and Clubs editors think you should be keeping a firm eye on over the coming annum.

All the acts the Music and Clubs editors think you should be keeping a firm eye on over the coming annum.
Freya Martin reviews the deceptively effortless and nostalgic new track from Black Country, New Road, ‘Track X.’
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.
Harry Bedder reviews Deftones’ 20th anniversary reissued and remixed White Pony, released on Reprise Records.
Harry Bedder reviews the new album from Icelandic post-rock aficionados Sigur Rós, Odin’s Raven Magic.
Lizzie Wright reviews Taylor Swift’s second surprise album of 2020, evermore.
Eleanor Palmer reviews the new singles from Burial, Four Tet and Thom Yorke, ‘Her Revolution’ and ‘His Rope.’
Freya Martin shares her thoughts on folk-rock artisan Marika Hackman’s new album, Covers.
Katie Brown reviews Wallows’ follow-up EP to their acclaimed indie debut album.
Ben Forrest offers his thoughts on Belarusian post-punk trio Molchat Doma’s new album, Monument.
Esme McGowan reviews Sufjan Stevens’ startling and poignant new album, The Ascension.