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Author: Eleanor Palmer

Squid experiment with unreleased chaos at The Leadmill

Posted on 4th July 20214th July 2021 by Eleanor Palmer

Eleanor Palmer headed to Squid’s sold out Fieldworks tour in Sheffield for a socially distanced night of experimental chaos.

In the Middle with Drug Store Romeos

Posted on 28th March 202128th March 2021 by Eleanor Palmer

Eleanor Palmer caught up with Drug Store Romeos to gush over Alex G, discuss Murakami novels, and fantasise about Vietnamese jungle festivals.

A woman’s place is in shoegaze

Posted on 18th March 202117th March 2021 by Eleanor Palmer

For Women’s History Month, Eleanor Palmer tracks the contributions of women to the shoegaze and dream pop genres over the years.

Burial, Four Tet and Thom Yorke return with collaboration ‘Her Revolution / His Rope’

Posted on 12th December 202012th December 2020 by Eleanor Palmer

Eleanor Palmer reviews the new singles from Burial, Four Tet and Thom Yorke, ‘Her Revolution’ and ‘His Rope.’

Angel Olsen lets us inside on new album Whole New Mess

Posted on 20th September 202017th May 2021 by Eleanor Palmer

Eleanor Palmer dissects Angel Olsen’s intimate and revealing new album Whole New Mess, the next evolution of All Mirrors.

Frank Ocean’s ‘Cayendo’ and ‘Dear April’: The soundtrack to self-isolation?

Posted on 27th April 202020th June 2021 by Eleanor Palmer

Frank Ocean has made his long-awaited return with acoustic tracks ‘Cayendo’ and ‘Dear April.’ Previously double A side vinyl exclusives, the singles finally hit streaming sites on April 3rd. While his November release ‘In My […]

Parasite’s Best Picture win: Real change or merely symbolic?

Posted on 16th February 202019th March 2021 by Eleanor Palmer

‘The Oscars are not an international film festival. They’re very local’, Bong Joon-ho (now four-time Oscar-winner) told Vulture in October last year when asked what he thought of the exclusion of Korean films from nominations. […]

Review: Parasite

Posted on 2nd February 202014th March 2020 by Eleanor Palmer

It almost feels like an insult to attempt to contain Bong Joon-ho’s Parasite into one genre. Perhaps terming it a thriller would be the aptest classification, for it manages to thrill from start to finish. […]

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