Emily Borthwick talks us through Dizzee Rascal, a return to his grime roots

Emily Borthwick talks us through Dizzee Rascal, a return to his grime roots
Roxanna Zoughi talks us through Neil Young’s new live album ‘Return to Greendale’ originally recorded in 2003
Alice Browne talks us through the excellent new collaboration between Bonobo and Totally Enormous Extinct Dinosaurs
Freya Martin reflects on shame’s latest single ‘Water in the Well,’ as well as their upcoming 2021 album and tour.
Dany Bowen takes us into the groovy and strange world of Róisín Murphy’s ‘Róisín Machine’ – one that invites to make you your own happy ending
“I use my autism to make my corner of the world a bit nicer.” Alex Gibbon caught up with lovely local legend Dman to discuss accessibility in nightlife for Disability History Month.
Katie Brown reviews Wallows’ follow-up EP to their acclaimed indie debut album.
Instantly recognisable for their bravado and famed ad-libs, the Buffalo trio navigate stardom through heavy, luxurious beats and some of their best lyricism to date. Hemma Daddral tracks Griselda’s 2020 releases.
Ben Forrest offers his thoughts on Belarusian post-punk trio Molchat Doma’s new album, Monument.
For many students, clubbing can be the highlight of their week, especially with Leeds’ unique place in Britain‘s nightlife scene. But not all experiences are equal; Jenny Unwin, who uses a wheelchair, tells us
about the inequalities she’s faced on nights out due to her disability.
Naomi Momoh delves into LSDXOXO’s excellent new mixtape Waiting 2 Exhale – giving us more LSD than XOXO
Esme McGowan reviews Sufjan Stevens’ startling and poignant new album, The Ascension.