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Author: Tom Poole

The art world has reacted to Trump’s loss and they are taking him super seriously

Posted on 14th November 202014th November 2020 by Tom Poole

Take a look back at how the arts world has treated President Trump over the years and what new material he has given them to work with.

Rishi’s Arts Recovery Fund – a Saviour or a Nightmare?

Posted on 26th October 202026th October 2020 by Tom Poole

After seeing the other week Rishi Sunak’s comments about retraining, realising I’m doing a useless humanities degree, having a brew and a good cry, I hopped onto the National Careers Service website [available here] to […]

Ofcom – Silencer or Amplifier?

Posted on 15th October 202015th October 2020 by Tom Poole

Scrolling through the recent list of unpursued complaints on Ofcom’s website is baffling and hilarious; there’s a drinking game in there somewhere.  On the 11th July, 2020, some poor sap was so horrified by Channel […]

REVIEW: Enola Holmes

Posted on 5th October 202012th October 2020 by Tom Poole

Enola Holmes is pretty fun. It won’t top anyone’s favourite film list or their 2020 best-of. It doesn’t need to. Because it’s harmless, laid-back fun. Above all else, it is Netflix’s attempt at a blockbuster, […]

Green Day Leave Fans Blue With New Album Father of All

Posted on 15th February 202015th February 2020 by Tom Poole

Father of All is just… boring. A product of an aged band and a style that has aged with them, Green Day bring us their latest album, teeming with insipid, tired rock clichés and unimaginative […]

FONTAINES D.C. Prove They are Going to be ‘Big’ at Stylus, 22/11/19

Posted on 29th November 201929th November 2019 by Tom Poole

It’s always interesting to see how a band with relatively little material will tour. FONTAINES D.C,, with only one album under their belt – Mercury prize-nominated 2019 banger Dogrel, which isn’t a massively long album […]

We’re Not Scaremongering. This Is Really Happening.

Posted on 30th October 20191st November 2019 by Tom Poole

So goes Radiohead’s ‘Idioteque’, from 2000 album Kid A. An album that Rolling Stone ranked as the best of the noughties, an album which, upon release, charted at number 1 in the UK, the US, […]

Foals Come Back With A Second Helping To Make Sure We Know Everything Not Saved Will Be Lost

Posted on 28th October 20195th November 2019 by Tom Poole

March’s Everything Not Saved Will Be Lost, Part 1 offered us impending doom combined with immense energy. Foals’ most critically acclaimed album to date, it established a mammoth reputation for the second part to live […]

Credit Where Credit’s Due?

Posted on 18th October 201918th October 2019 by Tom Poole

Tom Poole investigates the continuing influences of Black musicians on the soundscape of Britain. It seems very relevant to talk about the history of Black influence on such a crucial element of our pop culture, […]

Labrinth, Sia & Diplo Present…LSD

Posted on 23rd April 201923rd April 2019 by Tom Poole

Reviewing old pop is weird. It is to assess something that, a lot of the time, is crafted with a shelf-life; designed to be fit-for-purpose at the time, hopefully, reach a few million streams and […]

Foals Save Themselves in Stunning New Album

Posted on 22nd March 2019 by Tom Poole

In 2018, when Arctic Monkeys released Tranquillity Base Hotel & Casino, fans were divided and faced with a band once energetic and explosive, refined to weird lounge jazz and piano-plinking. To some, it was viewed […]

Weezer’s ‘The Black Album’ Disappoints

Posted on 8th March 20198th March 2019 by Tom Poole

1994 was a phenomenal year for rock. The same year that gave us Green Day’s Dookie, Jeff Buckley’s Grace, the Oasis/Blur clash of Definitely Maybe against Parklife, and even Kurt Cobain’s posthumous Nirvana album, MTV […]

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