4/5 Stars

Christmas wouldn’t be the same without a traditional pantomime, and Robin in da Hood embodied all the madcap mayhem and side-splitting, musical action that is needed to pull off a successful show. From the word go, the audience are treated to songs, dances and many Leeds references (the evil Sheriff aims to ban Fruity!) that well and truly spread the Christmas cheer.

This new twist on the classic Robin Hood tale included all the typical panto elements (would we expect any less?); from audience participation both in group and solo form to double entendres and jokes-so-bad-they’re-good. But it also brought with it some eye-catching dance routines, a materialistic Marion with a lisp and binge-drinking Merry Men, all of which made for a thoroughly enjoyable performance.

The cast as a whole were fantastic, and their enthusiasm in performing was evident throughout; even with the odd technical hitch, the smiles never left their faces and they carried on like true professionals. This impressively talented ‘band of Merry Men’ also sang well, with the presence of a live band adding a great atmosphere to each song; some of which roped the audience into joining in!

No panto is complete without a Dame, and Sam Ashley did not disappoint. From some outrageously funny flirting with the audience to a brilliant rendition of “I love you baby”, Ashley brought amazing energy and melodrama to the role and had the audience rolling in the aisles. Georgia Gregg-Smith and Lauren Stocker should also be congratulated on their hilarious performances as the incompetent duo; Edd and Boyle (get it?). Their mannerisms and accents added perfectly to the riotous antics that took place onstage.

Panto may not be for everyone, but even the biggest of Scrooges couldn’t avoid getting into the Christmas spirit by the closing number; LUU Pantomime Society not only leave the audience fully entertained, but put them firmly in the Christmassy mood as they finish the term.

Alice Rafter