Leeds-based post-punk quartet Yard Act burst onto the local music scene in September of 2020 with their first 7” single ‘Fixer Upper’ backed with ‘The Trapper’s Pelts’. Since then, the group have taken the independent […]

Leeds-based post-punk quartet Yard Act burst onto the local music scene in September of 2020 with their first 7” single ‘Fixer Upper’ backed with ‘The Trapper’s Pelts’. Since then, the group have taken the independent […]
iles Kane, entitled Change the Show, marks his fourth solo album since releasing Colour of the Trap back in 2011. I spoke with Miles ahead of the release, as he reflected on his previous work and gave us some insight into the production of this fantastic new album.
The Gryphon speaks to alt rock/grunge band Hands Off Gretel before their set at Brudenell Social Club.
Asterix Scott takes a look back at the iconic fashion featured on Sex and the City.
Charlie Lake explores the revitalisation of The Gap with the much anticipated Yeezy-Gap collection
Elsie Oulton reviews ITV’s An Audience with Adele
Charlie Lake explores the recent re-release of Mac Miller’s ‘Faces’ (2014)
The energy and grit radiating from Shame frontman Charlie Steen is a sight to behold. Spotted in the smoking area just a few minutes before their set, it was a zero to one hundred transition from his calm off-stage persona into the shirtless machine that proceeded to dominate the stage all night.
Almost a decade since she first graced our screens, Lucy Spraggan played an acoustic show at The Warehouse on the 4th of November. With support coming from Billy Lockett, a Northampton-based singer-songwriter, the night was a roaring success. In the intimate set, she took the audience through the story of her career. A showcase highlighting the ups and downs of her journey from the X-Factor stage to her latest album Choices.
are finally able to tour their latest album Comfort to Me, which was released through Rough Trade back in September.
‘Never Before’ (if you’ll excuse the pun) has a band from the other side of the world slotted in so perfectly into the indie scene of the North of England. DMA’S – the honorary Northerners, […]
What we should have all learned by now, is that Taylor doesn’t stop. She will simply never stop. Having been in the game for 15 years, she’s at her most productive, with a near-constant flow of musical output – and no one is complaining.