Kate Wassell reviews Wolf Alice’s long-awaited return, Blue Weekend, terming it their strongest project yet.
Life’s a Beach: A sun-drenched culmination of the Leicester group’s tongue-in-cheek ways
Writer and editor Owen Frost reviews Easy Life’s debut album, Life’s a Beach.
Squid take you on a sonic journey through the Bright Green Field
Ben Forrest reviews Bright Green Field, the long-awaited debut album from Brighton-based quintet Squid.
Superwhat? Supervillain – Czarface’s latest venture with DOOM solidifies their quirky panache
Owen Frost reviews the latest collaboration between Czarface and the late MF DOOM.
YSL Records deliver a messy but loveable project with new compilation Slime Language 2
Hemma Daddral discusses the chaotic Slime Language 2, a new compilation from Young Thug and Gunna’s YSL Records.
Chemtrails Over The Country Club sees Lana Del Rey at her most intimate
Hemma Daddral reviews Lana Del Rey’s seventh studio album, Chemtrails Over The Country Club, which delivers nostalgia to fans in a journey of reminiscence.
Slowthai digs deep and makes us listen on new album TYRON
Liam Catterhole talks us through his thoughts on Slowthai’s latest, Tyron, an album of two very revealing halves.
Leeds art-rock gurus Mush take on the current dystopia on new album Lines Redacted
Ben Forrest reviews the new album from Leeds-based art-rock indie guitar gurus Mush, Lines Redacted.
Channel Tres serves us dreamy hip house on new EP ‘i can’t go outside’
Kareina Khubchand Daswani shares her thoughts on Channel Tres’ latest EP ‘i can’t go outside’
Yu Su brings us exquisite expansiveness on debut album Yellow River Blue
Alexandra Stewart talks us through Yu Su’s mesmerising debut, Yellow River Blue.
Arlo Parks stuns with lyrical prowess and silky-smooth vocals on debut album Collapsed in Sunbeams
Isabel Ralphs reviews Arlo Parks’ debut album Collapsed in sunbeams, our first full-length glimpse of a young artist with an extremely promising career ahead of her.
Pom Poko release weird and wonderful second album Cheater
Ben Forrest reviews the new album from Oslo’s finest art punk outfit Pom Poko.